Following the press screening at the New York Film Festival, Jarmusch said in a Q&A that he didn't make this movie with a message in mind. To suggest there's a resolute message would be to misrepresent the gentle development of every section of this film. Yet viewed as a whole, I found FATHER MOTHER SISTER BROTHER breathtaking in what it has to say about family. On one level, it's a reminder that every family is different and the same. We are all connected by a bunch of experiences, big and small, that are just so common they might be overlooked without the focus of a filmmaker on them. But beyond that, FATHER MOTHER SISTER BROTHER is a cool, rich, and wonderful celebration of familial love, which binds us and defines us — but not entirely.
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Of course, the glue code also has runtime costs. JavaScript objects must be allocated and garbage collected, strings must be re-encoded, structs must be deserialized. Some of this cost is inherent to any bindings system, but much of it is not. This is a pervasive cost that you pay at the boundary between JavaScript and WebAssembly, even when the calls themselves are fast.
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